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Sunday, 11 December 2022

The place of the pillar of phonics in the Key Stage 2 Languages curriculum

 


Yesterday morning I delivered a 15 minute keynote session at the Teachmeet MFL Icons online event.  It was a great event to be a part of - packed with short, snappy presentations which covered all sorts of different topics.  This is my presentation in text form. The event is now available to watch online.

The national curriculum for Key Stage 2 (KS2 - age 7-11) Languages is not very long and it’s not as detailed as perhaps we would like. Its purpose of study and the aims sections are the same as for Key Stage 3 (KS3 - age 11-14), but the subject content is different.

In KS3 there is no explicit mention of phonics, although some of the attainment targets need knowledge of phonics and the sound spelling link to be able to do them. For example, students are required to “transcribe words and short sentences that they hear with increasing accuracy” and “speak coherently and confidently, with increasingly accurate pronunciation and intonation”. It is, however. mentioned explicitly in the KS2 national curriculum, implying that the main groundwork needs to be done in primary so that students can hit the ground running and achieve in KS3 and beyond.


The above is from the KS2 subject content introduction, and the orange highlights are mine.

First, we can teach any modern or ancient language (so we don’t teach MFL in KS2, but rather FL or just "Languages"). The ancient languages are excused the speaking and therefore the phonics. So children who do Latin in KS2 will be well prepared for modern European languages in KS3 in some ways, but not in others. The second point says “Teaching should provide a balance of spoken and written language”. Historically primary languages were more about speaking and tended to neglect writing, but writing is now a fundamental part of what we do. This is important for phonics, as it shows it’s just as important to be able to say the new sounds as it is to read them and represent them in writing accurately. The aims of the curriculum state that children have to use their knowledge of "phonology, grammatical structure and vocabulary" to enable them to understand and communicate. This is the first mention of the 3 pillars, and something that does not appear in the KS3 curriculum.


Above are the attainment targets that relate to phonics in the KS2 curriculum. It’s all about beginning and developing an understanding of the sounds in the new language and looking into the sound-spelling link. We start to develop accurate pronunciation and intonation, both so that children can speak accurately and be understood, and so that they can read aloud accurately. We are encouraged to use authentic resources such as songs and rhymes to help us to explore phonics, and to help us to make the sound spelling link. Songs and poems are mentioned briefly in KS3 but not with a view to explicitly exploring phonics.

The “3 pillars” of vocabulary, grammar and phonics was a term first coined by Ofsted in 2020, following the 2016 Teaching Schools Council Pedagogy Review of secondary languages.  They are now at the heart of the Ofsted inspection framework for languages.  If you’ve seen the leaked Ofsted aide-memoires for KS2 and KS3 languages, you’ll know that they are riddled with mentions of phonics. These 3 pillars have equal weighting and equal importance in the curriculum. The word “pillar” suggests that the three are separate entities, so be taught and learned in isolation, However we know that the three are inextricably linked and interwoven, and that you can’t teach one without touching on the others.


The more I’ve supported other schools with their curricula, the more I have come to realise that the 3 pillars are the Intent of our curriculum. They are what you set out to teach. The four modalities (Listening, Speaking, Reading and Writing), Language Learning Strategies (LLS) and Knowledge About Language (KAL) alongside culture are your Implementation – what you are going to use to teach your intent. Then your Impact is how you assess how well you’ve taught your intent.

So the first answer to the question I posed at the beginning is that the pillar of phonics is firmly embedded in the KS2 curriculum, where the onus is very much on primary teachers to cover phonics systematically and thoroughly, in all four years, so as to enable children to be successful once they enter KS3.

It’s important then that KS3 teachers are aware of what phonics their new Year 7s have covered in KS2. They need to ask, and KS2 teachers need to tell! Transition is so important. Year 7 teachers can’t make assumptions about what the children have done and how they might have done it. It will help them to hit the ground running if they can continue in KS3 the way that they learned in KS2, even if they are going to be gradually weaned off it.  The ASCL Transition Toolkit (available for French, Spanish, German and Chinese) is a good way to start off the conversation.  

If primary schools use a bought-in scheme, then phonics will be included in that scheme somehow, and each scheme will do phonics its own way.  Physical French Phonics and Physical Spanish Phonics are widely used by specialists and non-specialists alike. The idea is that each phoneme has a corresponding image, which in turn shows the child the action they have to do. The action then reminds them of the sound. Once the children are familiar with the actions and sounds, after lots and lots of repetition, you can use the actions as a quick and easy prompt to correct errors or misconceptions. The books are full of great resources and information. They would be useful for KS3 too, and people even use them with adults.


Phonics are best embedded in each lesson, particularly at the initial presentation and practice of vocabulary stage. I choose to teach them explicitly right from the start, not leaving it to chance that the children will notice what I want them to notice. Time is precious in the primary languages classroom, after all. I have started using phonics to introduce new vocabulary, so that the children are seeing the written word at the very first stage and therefore not using English phonics to approximate a spelling of the word in their head, and so that we draw attention to the tricky sounds right from the beginning.  Then when it comes to practising the vocabulary with flashcards and images and so on they have already seen the words and are familiar with the sounds. The next stage will be putting the vocabulary into phrases or sentences by way of a sentence builder or similar. Because they are happy with the pronunciation they can focus on the grammar and structure. So the first pillar, phonics, leads to more successful learning of the second pillar, vocabulary, which in its turn leads to increased confidence with grammar and structure.

When I teach phonics I break the words down into their phonemes, and we then practise sounding the words out before having a go at blending them. I often take the phonemes we have been practising and put them into new, unseen words to show that the phonemes are transferrable. For example bonjour gives us the sounds to work out mouton. The thing we want of course is for children to see a phoneme in a new word and know straightaway which sound it makes. For French in particular (Spanish is so much more straightforward!) I have cards with the graphemes on that we have been practising. I hold up a card and the children have to make the sound.

I hope then that you can see the important place that the pillar of phonics has in the KS2 curriculum, and how this work can and should be built on in KS3 and beyond. Of course there is much more that I could say but hopefully it has started the conversation.

Want to read more?  Here are the other blogposts I have written about phonics.

Thursday, 1 December 2022

Small Business Saturday 2022

 


This coming Saturday, 3rd December, is Small Business Saturday here in the UK.

I am a small business. Ideas Education Ltd is so small that it only employs me!

So what does this small business do?

To celebrate Small Business Saturday, I am offering you:

  • A 25% discount on all my Sellfy resources, using the discount code SBS22, on Saturday 3rd and Sunday 4th December
  • A 25% discount on everything in my Etsy shop, using the discount code SBS22, on Saturday 3rd and Sunday 4th December

Why not also support some of my lovely friends and family who also run small businesses?


Monday, 7 November 2022

Writing from a grid

 


Last week my Year 5 Spaniards needed a bit more practice of adding up Euros and cents, and also a reminder of how numbers under 30 are just one word (we've been focussing on 31-99 recently).

I arranged some Euro coins in a grid (above) which then generated 6 different sums of money for us to add up.  If space allows on the PowerPoint slide, you can also add up the diagonals as well.

It would be easy for the children to make a grid like this to help themselves or their partner to practise, as long as you have some fake Euros to use.

There are other things that could be practised in this way too, I think.


This one, for example, is a stimulus for 6 sentences (or 8 sentences if you count the diagonals) using tengo, indefinite articles and y.  The red sentence would be: Tengo un libro, un sacapuntas y una barra de pegamento.

Children can stick the grid in their books and write the sentences underneath.

Can you think of a way you could use this grid idea?



Sunday, 6 November 2022

Spicy questions

 


This term I have been experimenting with a different kind of starter for Years 3-6.  

While we are getting ready, giving books out and so on, the children see three "spicy questions" displayed on the board.  Some questions relate to previous lessons and prior learning, to check understanding and perhaps address misconceptions, while others relate the learning that will take place in that lesson.

The more peppers a question has, the "spicier" or more difficult it is.

We discuss the answers, and I click to animate the answers into the PowerPoint slide.

I'm finding the spicy questions useful as a way of "setting the scene" in the lesson.





Tuesday, 30 August 2022

What are the basics of language learning, and should it be fun?

 



This is some of the text of a keynote address I delivered in March.  I thought the investigations were worth sharing!

So what are these basics of language learning?

I googled it and most of the hits I got were from blogs and websites aimed at maturer learners wanting to return to language learning in later life.  The basics that they are recommended are perhaps different to what we would consider fundamental to our learners’ experience in the classroom.

Let’s have a look, then, at what is recommended by these organisations.

High frequency words

The first is high frequency words.  Another site phrases this as “learn the word you will use”, in other words the words that are high frequency for your requirements – keep the language learning relevant to you – while yet another says “learn the right words”, the ones that are going to help you most to say what you want to say.  As well as “frequently used vocabulary”, another site specifies key verbs.  Adding a bit more detail, another says you should look at those “phrases and patterns that come up all the time” but acknowledges at the same time that you won’t necessarily know what those are in the early stages!

This is something I know that we have all heard about a lot recently, especially with regard to the proposals for the revised GCSEs.  It initially came into our consciousness following the Teaching Schools Council Pedagogy Review in 2016, and has of course been adopted by NCELP in their rationales and resources.  It was certainly something that I took into consideration when I revised my Spanish Key Stage 2 scheme of work in the summer of 2020.  I have incorporated as much high frequency vocabulary as possible, while still acknowledging that there are some items of vocabulary that are comparatively low frequency that young children are still interested in.

For example, Key Stage 2 children love to talk about their pets and their smelly Smiggle pencil cases.  However, the word chat languishes at #3138 in the frequency top 5000, while trousse and most of its contents aren’t even frequent enough to make the top 5000.  If a 9 year old, though, had the good fortune to chat to a French child their own age, they would want to exchange notes about pets and their pencil cases, so these words are useful and high frequency for them.  Pencil case items are not, though, as important for students in Key Stage 3 and Key Stage 4, unless you are my daughters who have inherited their mother’s love of all things stationery.

As the above articles suggest, then, we should be tailoring some of this vocabulary to that which is high frequency for the user, keeping the learning relevant to them, helping them to say what they want to say. 

Does your scheme of work and/or your text book have in it vocabulary that is both high frequency and that which will be of interest to the students that you have in front of you?  Are you teaching the right words for them?

Use it every day

Another of the basics listed by these blogs and websites is “use it every day”.  They say that an essential part of learning a language is to make sure that you use that language every day, perhaps dedicating up to an hour each day to it.  This every day practice could take a variety of different forms:

       practising with a native speaker

       reading books or magazines in the language

       going to where the language is spoken

       watching films or TV programmes in the language

       watching and listening to native speakers, paying attention to how they say different sounds, to their intonation, and to their mannerisms…

Of course we know that little and often helps the language learning to stick.  But who teaches a certain class every day?  I never have.  The only people in this fortunate position are Key Stage 2 class teachers who are doing the language teaching.  Dr Rachel Hawkes has recommended (and there is very similar guidance in the old Key Stage 2 Framework as well) that class teachers should aim for a 30-40 minute dedicated languages lesson once a week, and then timetable 5 or 10 minutes on all the other days to reinforce and embed the learning from the dedicated lesson.  Imagine if you could do that!  But I’m not even in the same school every day, let alone with the same class.  How can I get my little students using the language every day?

The honest answer, as I expect it is for you, is that I can’t.  Languages is just one of the subjects that they study in their busy curriculum, and with the best will in the world they aren’t going to do a little bit every day either at home or at school, when it has to compete with Times Table Rockstars and daily reading and stuff.

I imagine you’re in the same boat.  There is one glimpse of light in this darkness though. 

I always listen to the Wittertainment podcast (now Kermode and Mayo’s Take) while I am doing my planning and marking on a Monday. I’m not hugely into films, but rather enjoy the Kermode and Mayo banter.  Recently (can’t remember exactly when) they were talking about the accessibility or not to the British public of foreign-language films, and chatted about the use of subtitles.  They mentioned that it has been noticed that a lot of young people these days are watching programmes (usually on streaming services) with the subtitles on.  I thought it was just my 14 year old!  She watches everything with the subtitles on.  Her father and I find it really annoying, probably because we are old fogeys.  An article in the online magazine The Week in January says that 80% of Netflix viewers regularly use subtitles or closed captions on that platform.  The majority of users under 25 use subtitles “all or part of the time”.  Younger users, then, are more accepting of subtitles than us oldsters, and are used to taking in more information quickly (though I do much prefer subtitles to dubbing, which I find infuriating, especially if it’s dubbing over a language that I know, as I keep trying to read their lips to see what they actually said).  This mainstreaming of subtitles is ultimately doing more good than harm.  If young people watch English language content with subtitles, it’s not too much of a stretch for them to watch foreign-language content with subtitles.  And we all know there is plenty out there!  This is something that our youngsters can do to catch up with their European counterparts, many of whom regularly watch English language broadcasts with subtitles in their own language, and listen to English language music.  So there may be a way to address this basic of language learning that the students actually quite like!

Decide on the level of mastery you want

The next basic that occurs in several sources is an interesting one.  They suggest that you should work out what level of mastery you require – what do you want to be able to do?  Perhaps speak to people in Spain and order in a restaurant?  Read journals in your chosen field that are written in French?  Live and work in Germany?  Another source says that you should “focus on what you want to learn”.

Do our students get to decide on and choose the level of mastery that they want?  Do they get to focus on what they want to learn?  Or is this something that we decide for them when deciding on our schemes of work, on our text books and on our grouping and setting?

Do our students know what the level of mastery that they are heading towards looks like?  In a lesson, in a year group, or ever?  Are they aware of how they are doing in the grand scheme of things?  They may think they are doing badly because they are not “fluent” when actually they are doing pretty well within the requirements of GCSE, for example.

Should I, each September, be showing Y3 students a model piece of work from Y6 and saying “This is where we are heading, folks!” or even a piece of end-of-Y3 work to say “This is what you’ll be able to do by July”?  They know what our medium-term big pictures are, but I’m not at all sure they are aware of our long-term big picture.

How about your students?  Do they know what the standard is that you are expecting of them at each stage and at the end?  Do they want to know?  I’ll leave you to ponder that one.

Have fun!

The final basic proposed is: Have fun!  Uh oh, I’ve used the F word!  But for these blogs and websites, having fun while learning a language is considered one of the basics.

I suppose none of us would have continued to be involved in languages this long if we didn’t find it fun in some way.  Adult learners are instructed to have fun learning the language that they have chosen.  Is it possible that a lot of these mature learners gave up while at school because they weren’t finding language learning fun?  Devil’s advocate there.

What is this “fun” of which we speak?  The Oxford English Dictionary says that fun is “amusement, especially lively or playful”, and “exciting or amusing goings-on”, that something that is fun (because of course it’s a noun and an adjective!) is “amusing, entertaining and enjoyable”.

Why should a language learner have a “fun” experience?

For example, I have just taught a lesson on the paradigm of AR verbs using the infinitive chupar as my example.  In case you don’t know, chupar is the Spanish verb to suck, i.e. sucking a sweet to make it dissolve in your mouth.  It’s this verb which gave us the name of the lollies Chupa Chups – they were originally just called Chups, but then an advertising campaign slogan said “Chupa Chups” – “suck Chups” and the name stuck.  Because of the translation of the verb being a little bit risky and skating on the edge of being a bit rude, Year 6 really enjoyed it and were motivated to have a go (I heard a few mutterings of “You suck, no you suck” while they were working).  We created tonguetwisters with chupar and other CH words, and then recorded a selection for the British Council#CelebrateSpeaking campaign.

Things happen in our brain when we experience “fun” of this nature.

Firstly, there is dopamine, a neurotransmitter often referred to as the “feelgood brain chemical” which offers a secret advantage to learning.  When our brains release large amounts of dopamine, which is created through play and humour, it creates feelings of pleasure.  This reinforces the action that created it and motivates a repetition of this behaviour.  Dopamine is also released any time humans feel they are on the right path.  So humour and play release dopamine, so does “feeling you’re on the right path”.  These things make you feel pleasure, better connections are made in the brain and better learning takes place. Neurologist Judy Wilkes says that fun experiences increase levels of dopamine, endorphins and oxygen, all of which promote learning.

Secondly, the amygdala in your brain can trigger overwhelming emotional responses and stress, which over-ride active thought.  This stress hampers our ability to take on board and process new information.  Fun activities can help to foster a stress-free flow of information and learning to the brain, and we also know that laughter lowers stress and boosts immunity. 

A study in the journal College Teaching found that students could recall information more easily when the lecturer added jokes or anecdotes about relevant topics , and researchers, such as Krashen, and Dulay and Burt, have found that people learn better when they're feeling strong positive emotions.  This is down to your Reticular Activating System.

Your Reticular Activating System, or RAS, is at the top of your spinal column, where it's a small piece of your brain about the size of your little finger that acts like your brain's bouncer.  The RAS controls how much information and what information is transferred into our conscious thought.  It basically lets through what you are focusing on the most.  Have you had the experience where you are watching TV and reading something on your mobile device at the same time, then when you’ve finished what you were reading you realise that you have no idea what has just happened on the TV programme you were watching?  I have!  That’s your RAS at work, thinking “Aha, you’re focussing on reading now, I shall block out the TV until you have finished.”

You can't pay attention to everything around you - during every waking second your senses are being bombarded with hundreds of pieces of information - so your Reticular Activating System decides what's important, what can be transferred into your conscious thought, and what can be ignored.  This transfer of information can be stimulated by novelty, so new and exciting or “fun” experiences can get to the front of the queue and be let in first by the bouncer, meaning that students will therefore retain more of this kind of learning.

So because of the way your brain works, it can be argued that yes, lessons should be fun.  However we all know only too well that if we strive to make all lessons fun, then we as the teacher are going to burn out very quickly.  We all know that it takes a tremendous amount of work to plan just one lesson which contains humour, novelty and excitement.  It’s not something that we can sustain longterm.  We’re teachers, after all, not children’s entertainers.

In this digital age it is very tempting to use all of the bells and whistles at our disposal to make lessons fun and entertaining.  But then we are effectively creating a rod for our own back, as students are going to expect lessons that are always entertaining and colourful.  We can argue that having these kinds of lessons all the time will eventually overstimulate students, and end up actually not being novel or exciting at all.  It’s better to keep them for an “every so often”, when the novelty will make them more effective.  And it will be less work for you.

It's certainly true that “fun” lessons can disguise the fact that there is hard work to be done.  They are perhaps perceived as easy.  They are certainly engaging and motivate students.  It’s also true, though, that students can get a buzz out of learning something really challenging even if it isn't perceived as fun.

Learning needs to be perceived as a fun activity in itself – learning for learning’s sake.
In the document Excellence and Enjoyment from 2004, the then Education Secretary Charles Clark said: “Children learn better when they are excited and engaged - but what excites and engages them best is truly excellent teaching, which challenges them and shows them what they can do.”  It is certainly true that a deeper enjoyment of learning comes from students seeing that they are being successful and that they are making tangible progress.



Friday, 8 July 2022

Transition......again

 



If you are a regular reader of this blog, you'll know that I have written about Key Stage 2 to Key Stage 3 transition before, here, here, here, here, and here, and in several other posts too.  I've been harping on about it for some time.

Transition between the two key stages has never been great.  But there is evidence from Language Trends (latest 2022 report out now) that, if anything, things are getting worse.  The 2022 report says:



Over the last week I have had two Twitter polls running, and you can see the final results at the top of the page.  The results, admittedly from a small sample, are not good.  It's clear that in this, the 8th year of statutory KS2 languages, despite the national curriculum saying: "The teaching [in KS2] should .... lay the foundations for further foreign language teaching at key stage 3" and "Teaching [in KS3] .... should build on the foundations of language learning laid at key stage 2, whether pupils continue with the same language or take up a new one", transition arrangements are still desperately lacking.

Some points for consideration and action:

  • The government has made it clear that they want the vast majority of Y11s to achieve the EBacc, which includes a language.  If you want them to continue into KS4, you have to hit the ground running with them in KS3.  Knowing what they did in KS2 is a crucial part of this.

  • I hear every year of former Year 6 students, many of them gifted linguists, who have gone into KS3 and who are bored and switched off by their language learning, so much so that they seriously consider not opting for KS4.  They don't feel they are learning anything different or new.  I had one tell me about a basic homework that he had to do on me gusta in Year 7.  He crossly told his teacher that he had already covered opinions in more detail in Year 3 and upwards.

  • Many secondary teachers say "But we have so many feeder schools!" as a justification for starting from scratch with all Year 7s.  I appreciate that this does create a significant headache, but we have to be inclusive, we have to consider all students in the class.  This is the time to present usual language in an unusual way.  I once wrote a transition unit for OUP where je m'appelle, j'habite and some basic description were covered using endangered species and their habitats.  Mature and different contexts that students will not have covered in KS2 are the way to go.  Even if they are using familiar language, make them feel like they are learning something new.

  • Every year I send transition information to all the secondary schools my Year 6s are going to.  I have done this for 13 years now.  No secondary school has ever asked for it, and I have very little idea if (a) the managers of the secondary school email addresses pass it on to the MFL subject leaders, (b) what the subject leaders do with the information and (c) if this is the sort of information they would like to receive.  But I continue to send it regardless, as I want to do right by my students and give them the best opportunity I can.  For the last couple of years I have used the ASCL Transition Toolkit.

  • Primary senior leaders: Make sorting out transition communications part of the job description of your Languages Co-ordinator.

  • Secondary subject leaders: Consider giving the responsibility for contacting feeder primaries to a junior member of your department.  They might have more time to get it done, and would like to have a role in the department.

  • Primary colleagues:  Most of us have two weeks of the school year left.  Fill in the right-hand column of the ASCL Transition Toolkit and email it to the secondary schools that your Year 6s are going to, for the attention of the MFL Subject Leader.

  • Secondary colleagues:  Most of us have two weeks of the school year left.  Send the ASCL Transition Toolkit to your feeder primaries for the attention of the KS2 Languages co-ordinator, and ask them to complete the right-hand column for their school and return it to you.
Rant over.  But I may be back....

Tuesday, 5 July 2022

Skills icons

 

Recently I was shown the excellent work of the history lead of a local primary school.  They had chosen to design an icon for each of the seven history skills (Constructing the past, Sequencing the past, Continuity and change, etc..)  Their plan is to display the relevant icon at the beginning of each lesson, and then to discuss with the children how they will be learning, and to recall when they have used that skill before.

It got me thinking that we could use a similar system in Key Stage 2 Languages, to alert children to the skills that we are using and discuss how we are learning.  I introduced the topic in the Languages in Primary Schools Facebook group, where it turned out that some colleagues have used such icons in other subjects and have also dabbled with them in Languages.  We also discussed the skills that we would want to include.

I have used Canva to create sets of icons for French, German and Spanish.  The skills included are:

  • Listening
  • Speaking
  • Reading
  • Writing
  • Phonics
  • Grammar
  • Culture
  • Knowledge About Language
  • Language Learning Skills
(For Knowledge About Language [KAL] and Language Learning Skills [LLS] see the objectives of the Key Stage 2 Framework for Languages.)

My plan for the icons at the moment is to put them onto the first screen of my lesson PowerPoints, the "Today we are going to..." screen, to explain how we are going to achieve our lesson objectives, and perhaps also on my worksheets.

I displayed them in my lessons today, and it enabled me to say not only what we were going to be doing, but also to tell them which skills we were going to be using.  I suspect that quite a lot of the time, the children aren't aware of the different skills that we use and why.

If you would like a copy of the icons (available as shown in the image above and in a reversed format for displaying on a dark background) then click on these links:
If you would like to use them (and I'm not saying you have to) I'd love to hear about how you have used them.

UPDATE 08.07.22:

Friday, 11 February 2022

Physical description: Spanish crowdsource

 


Following the success of previous crowd-sourced text resources, I'd like to try another, with your help.

I would be very grateful if you could write some sentences using the language that you can see in the tables at the top of this post.  If you don't want to add your real name, a pseudonym or nickname would be fine.

You can add your sentences here in a comment, or email them to me.

¡Muchas gracias!  These will be so useful for my Year 5s who are grappling with adjectival agreement and position.   I will, of course, share any resulting resources.

This will be my contribution:


Thursday, 27 January 2022

Redondo y Cuadrado

 


When I taught Key Stage 2 French, my favourite way of introducing and practising grammatical gender was using the book un triangle by Néjib.  You can read about the book and what I did with it here.

With my Year 5s I've just started Unit 13 of my scheme of work for Key Stage 2 Spanish, which is all about description.

We started off by reading the poem Redondo (Round) by Gloria Fuertes, and talking about why the adjective is spelled in three different ways.

Then I showed the class the Spanish words for ten more round things.  We gave out the Spanish dictionaries, and the children worked in pairs to look up the new words, find out if they were masculine or feminine, and decide whether we would need redondo or redonda to describe them.


We put the answers in the form of a new poem inspired by the one by Gloria Fuertes.


While we were working on this activity, I had an idea inspired by un triangle and its family of books.  The next week, I introduced the class to the adjective cuadrado, which they had first met in Year 2.


I gave them the challenge of finding in the dictionary the Spanish words for things that are square and putting them into a line of poetry following the example above, and working out whether they would need the masculine or feminine form of the adjective.  The children worked in pairs on their poems and used this guide to help them.  I also showed them the book un carré by Néjib, to show them how the thing didn't have to be something square exactly, but something that had a square as a part of it.



There is also a column for a small picture, so that they could justify why they had chosen a certain word, and show me how it was square.  

The following week the children copied up and illustrated their excellent poems, and I now have the difficult task of working out which ones to put forward for the next issue of Write Away! next month.  Here's one of them as an example of the poems the children created.

 
The resources will be on Light Bulb Languages soon.